Spongebob & Sandy’s Country Christmas

Spongebob & Sandy’s Country Christmas

Spongebob & Sandy’s Country Christmas

Art Dept Manager

Screen Novelties

2024

Project Synopsis

In this enchanting Spongebob Squarepants Christmas holiday special, we dive into the whimsical world of Sandy the Squirrel, brought to life through the magical lens of stop motion animation reminiscent of the beloved Rankin/Bass style.

As the Art Department Manager, I had the privilege of overseeing the intricate design and creation of elaborate sets and props that shaped this festive underwater adventure. Collaborating with the talented team at Screen Novelties, we crafted scenes filled with charm and nostalgia, capturing the holiday cheer in Bikini Bottom.

Each movement of Sandy and her friends was paired with a vivid backdrop, where every detail—from twinkling lights to playful decorations—was carefully curated to ensure the spirit of Christmas resonated in every frame.

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Set Build
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Sandy’s family pose for a photo op in the the Jalopy Sleigh, one of our most ambitious builds.

Sandy’s Dome

Sandy’s Dome is a captivating miniature set that brings the underwater world of Sandy the squirrel to life, showcasing a vibrant dome nestled around a majestic tree. This enchanting environment was meticulously crafted, drawing inspiration from the original sketches for Spongebob Squarepants, and transformed into a tangible experience using large sheets of plexiglass and a blend of innovative techniques. Each detail adds to the charm, from Sandy’s expertly designed lab equipment to the lush green boucle fabric that mimics grass, and the whimsical airlock door that Sandy uses to enter her home. Delicately dyed sponges serve as tree leaves, further enhancing the whimsy of the scene, and together, these elements create a delightful homage to Sandy’s underwater adventures, embodying creativity and craftsmanship in every inch.

Int. Krusty Krab

As we journeyed to recreate the beloved Krusty Krab, builders Hilary and Charles poured their hearts into every detail, ensuring this beloved restaurant felt authentic and vibrant. From the meticulously crafted oversized wooden planks that echo the charm of the show to the expertly woven nautical ropes that add a touch of the sea, every element was designed to transport visitors into the animated world. The colors were chosen to reflect the whimsy of Bikini Bottom, capturing the nostalgia and magic that fans adore. The added Christmas decor added holiday cheer to the iconic cartoon eatery. With this stunning set, we invite you to experience the collective joy that the Krusty Krab brings, right here in our vibrant reality.

Circus

When Sandy’s family rolls into Bikini Bottom, her dome transforms into a dazzling circus wonderland, filled with laughter and awe-inspiring feats that leave the townsfolk breathless. Our team embraced this enchanting vision by constructing a vibrant spectacle, showcasing a thrilling motorcycle ramp designed by the talented John Joyce, where daring stunts take center stage. The expertly crafted cannon, modified Evel Knievel motorcycle, and a fiery wreath add a touch of spectacle and danger, capturing the magic of circus life in every corner of Sandy’s dome. As the performances unfold, the air buzzes with excitement, making it clear that this circus isn’t just a show; it’s a celebration of creativity, craftsmanship, and the sense of wonder that only a family of performers can bring to the underwater world.

Diorama Stump

At the heart of our captivating set lies a meticulously crafted replica of a tree stump, enlarged to its grand proportions to create an immersive experience. This enchanting diorama showcases a whimsical old western town populated by pioneer squirrels, each represented by the exquisite whittled carvings of the talented Joe Schmidt. As the builder of this set, I not only planned and carved the intricate details but also enjoyed the thrill of puppeteering the elements during the final shot, bringing to life the stories of these charming forest inhabitants.

Trees

Ellen Coons and Meghan Graham were our tree team, passionately transforming the heart of our production into a vibrant forest scene where imagination takes root. Their expertise shone through as they meticulously crafted Sandy’s tree inside the dome, employing a unique technique that transformed sea sponges into lush, green leaves, while the bark was artfully sculpted from rolled craft paper and wood glue, blending innovation with artistry. Painter Kathryn Evans joined the creative ensemble, her brush bringing color and life to the trees and backdrops, adding depth to the enchanting world we designed. Together, they wove a tapestry of creativity that not only showcased their skills but also invited viewers to step into a whimsical wilderness where every detail tells a story.

Patrick’s Bedroom

The creation of Patrick’s bedroom was a delightful, if somewhat harrowing challenge. Carved meticulously from EPS foam and enveloped in a tactile layer of sand, the final set resembles a charming sandy haven. I took on the exciting challenge of sculpting the bed, while guiding the team through the intricate process of seamlessly covering the set with real sand. Working against the clock as the glue dried faster than we could apply the material added an exhilarating twist to our efforts. Crafting the sand mounds and ensuring the edges blended beautifully was not just a task, but a fun adventure that allowed our creativity to flourish and truly bring Patrick’s space to life.

Jalopy Sleigh

From a charming sketch by our story artist Cosmo Segurson, to a masterfully crafted vehicle brought to life by master builder John Joyce, the Jalopy Sleigh was one of our most exciting builds. After breaking Santa’s Sleigh, Sandy’s squirrel family must rebuild it to save Christmas. The result is a hilarious homage to the Beverly Hillbillies, as the famil putters around Bikini Bottom delivering presents in a cute musical number. The challenge lay not only in the intricate design that required accommodating eight animated puppets but also in crafting a light yet sturdy structure suitable for our motorized rig. I took on the challenge of recreating a half-finished version of the jalopy for the montage sequence when it gets built.

Set Dressing
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The exterior of the Krusty Krab, an iconic set dressed to perfection.

Ext. Bikini Bottom

Each episode of Spongebob Squarepants opens on the well-known town of Bikini Bottom. And in our episode, the holiday spirit glimmers in the intricately crafted decorations adorning the iconic sets. With the keen eye of Production Designer Aron Bothman, we transformed the familiar landscape into a winter wonderland, infusing it with layers of vibrant coral and charming mini buildings, all meticulously designed and 3D-printed to capture the essence of this beloved underwater town. The adventure of layering softly glistening snow on the ground brought an exciting challenge, revealing a breathtaking backdrop that sets the stage for the whimsical tale of Spongebob, Sandy and their friends.

Ext. Krusty Krab

The Beach Hangout is a special part of the island, and an important set for the show. The Shapes share hot chocolate there, watch sunsets and sunrises there, picnic and cavort there. The challenge with this was to make it iconic, by keeping it very simple, but just decorated enough to breath life into the relaxing beach setting.

The lightly undulating sand is coated with a salmon pink and then coated with a brilliant white coat of sand, giving the beach a shimmering quality. Combine that with a few well-placed, elegant palm trees and some massive rocks to break up the background composition, and you’ve got the makings of an iconic setting where anything can happen.

Krusty Krab Musical

Inside the Krusty Krab, the atmosphere turns electric as Sandy’s family takes center stage, delivering a toe-tapping country musical number that brings a taste of Texas to Bikini Bottom. To elevate the theatricality of this vibrant production, our talented team transformed the set with colorful painted flats and a delightful array of country props, inspired by the charm of classic 70’s variety shows like Hee Haw. Set Dresser Alex Steele meticulously crafted an inviting scene that not only paid homage to the spirit of country music but also infused the beloved eatery with a festive flair, ensuring that every note sung resonated with joy and nostalgia.

Tree Fall

In this whimsical episode, Santa’s jolly ride took an unexpected nosedive as his sleigh crashed into a towering Christmas tree, and we embraced the challenge of bringing this playful chaos to life. Crafting a set with a dynamic rolling backdrop, we designed a series of tree bark elements using innovative inside-out cardboard techniques that created the illusion of Santa’s thrilling fall. Our meticulous construction featured four distinct tree pieces mounted on sliders, allowing for a captivating up-and-down motion that enhanced the visual storytelling. I personally took charge of building the rolling backdrop, integrating rotating poles that simulated action lines, making it appear as if the world was rushing by as Santa tumbled. Costumer and Seamstress Carol Binion helped me by sewing the backdrop together in a loop.  To top it off, I adorned the tree branch with bits of broken sleigh debris, transforming the scene into a delightful spectacle of holiday mischief that truly captures the magic of the season.

Minis
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Co-Director Mark Caballero and Animation Director Alfonso Estrada manipulate the mini tree to get a tricky forced-perspective shot.

Mini Props

The mini props crafted by Edlyn Capulong became a delightful addition to our project, showcasing how something so small can make a big impact. Each tiny creation was designed not just for charm but also for detail, ensuring they looked stunning up close on camera. These whimsical pieces enhanced our already miniature world, adding layers of creativity and playfulness that made every scene feel even more enchanting.

Mini Dome

To truly capture the essence of Sandy’s world in a wide shot, we embraced the challenge of scaling down the grandiosity of our set into a miniature masterpiece. Collaborating on the design of a 9-inch half-sphere, we crafted a versatile dome that could glide on and off stage, secured by magnets for effortless transitions. Inside, we carefully curated an array of intricate props, each one meticulously placed to enhance the visual storytelling. This blend of creativity and engineering not only elevated the production but also allowed us to breathe life into our puppet character against a backdrop that felt both expansive and intimate, showcasing the limitless possibilities of imagination in our craft.

Atoll Island

As the curtains rise on our vibrant atoll island, we set the stage for whimsical antics, introducing a delightful marionette puppet to capture hearts and ignite laughter. This playful mini build infused the show with a splash of nautical charm, conjuring a lighthearted atmosphere that invites audiences to lose themselves in imagination. With its intricate strings and endearing quirks, the puppet not only enhances the storytelling but also embodies our spirit of creativity and fun.

Managing the ARt Department
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Art Dept Manager Evan Koehne, Production Designer Aron Bothman, and Production Manager Casey Folen share a moment in the Shop.

Running the SHop & Supervising Builds

I have created an interesting niche for myself in the Stop Motion Animation industry. As a builder, I’ve gained a lot of hands-on knowledge about how to make set and props. But I also know how to direct people and run a shop, and I’m pretty good with schedules. So I find myself spending half my time thinking about the overall picture, scheduling to make sure deadlines get met and my builders have the right supplies they need, while also supervising some of the trickier builds that I can help with, and occasionally getting to gets my hands dirty and actually make something.

It’s a fun, delicate balance, but its all worth it when you see your hard work pay off in the amazing finished product that we all created together.

Behind the Scenes Gallery
Preview
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The Patrick Star Show

The Patrick Star Show

The Patrick Star Show

Art Director

Screen Novelties

2021

Project Synopsis

I  supervised the build of the main set and props for this spooky segment of The Patrick Star Show. My team and I had a lot of fun envisioning how to combine the  nautical-themed, Spongebob-esque world with the classical Hollywood horror of the early “Frankenstein” films. The best part was that everything was painted monochrome to achieve the classic black & white look.

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The Living Room Lab

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The early foamcore mock-up of the set

BUILDING THE LAB

How does one make a giant Frankenstein-inspired lab? With lots and lots of giant blocks of foam. Pictured below, our sculptor Hiroe starts the process of cutting and sculpting these large blocks to become the walls of the Lab.

Carving the Foam

Once the foam has its basic shape, we put it back on the stage to see what else needed to get added. In some cases we had overhanging bits using expanding foam glue to stick a piece on that we couldn’t sculpt during the first phase. From here we move on to creating the stone tiles for the floor.

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Finished Set

As an homage to the early Frankenstein films, we wanted to have these segments be in black and white. One of the cool things we did was incorporating the black and white aesthetic into the set itself, actually painting everything with a grayscale color pallette. I’m very proud of the way it turned out, as it really pops on screen.

Set Pieces

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COUCH

It’s a central figure in so many TV shows: The Simpsons, Married with Children, All in the Family, going all the way back to I Love Lucy. The Couch must be great. I designed and built this one myself, going through a few rounds of notes and iterations with the Creative Directors to get the look just right.

Chopping the Couch

The couch had to get chopped in half, so a duplicate had to be made. It was fun pretending to take a chainsaw to it!

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OVERSIZED ARMREST

Sometimes puppets have to come in scales, which means sets need to accomodate them. In this case, Dr. Plankenstein had a different puppet that we used in Close-Ups, so the art department had to fabricate an equally larger portion of the couch for him to rest on.

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Sometimes you make a foamcore mock up and it’s not very good, so you just wing it.

MACHINES

We had a lot of fun designing and creating background machines that had that old school science-fiction feel. We incorporated real knobs and mechanical pieces from old appliances and electronics to add to the haphazard nature of these machines.
Taking inspiration from the classic Universal Monster movies, these had to feel as if they were from a very specific era. They had to look science-fiction-y, but not like they were from the future. I worked with my builders, giving notes on various designs to help bring it into the world of Patgor.

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OPERATING TABLE

Every monster needs a table to receive bolts of lightning from!

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LOGS

ROOF PIECE

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Props & Models

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SKULL DOOR

The lab’s door and skull-shaped handle were such a fun assignment, I had to take them on myself. The door was made from planks of MDF, and the skull door handle was sculpted out of epoxy resin.

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TV SET

ROTARY TELEPHONE

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POPCORN BAG

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POKER STICK

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CHAINSAW!

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BARRELS & CRATES

TRAILER

BLO’s The Fall of the House of Usher

BLO’s The Fall of the House of Usher

BLO’s The Fall of the House of Usher

Art Director

Ancient Order of the Wooden Skull

2020

Project Synopsis

During the later stages of the 2020 pandemic, productions were starting to get off the ground but large social gatherings were still prohibited. The Boston Lyric Opera was faced with a dilemma: They had comissioned a wonderful opera by renowned composer Phillip Glass, based on Edgar Allen Poe’s “The Fall of the House of Usher.” Rather than put it on as a stage production, they shifted gears and envisioned it as a hybrid animated piece to be streamed to their fans.

This macabre piece of social commentary holds a special place in my heart, as it was the first time I was hired to be the Art Director. We poured hours into the house, furniture, and everything else. I’m very proud of this dark masterpiece.

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Design Projects

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Various iterations of the design

DOLLHOUSE

Immersed in the haunting world of Edgar Allan Poe’s “The Fall of the House of Usher,” the experience of crafting a dollhouse miniature was both a labor of love and a journey into the gothic psyche. Each delicate piece—the creaking walls, the dimly lit corridors, and the intricate furnishings—was meticulously designed to evoke the eerie atmosphere of the poem. As colors bled into darkness and shadows danced across the handcrafted spaces, the dollhouse transformed into a character of its own, embodying the decay and despair that permeate Poe’s narrative. This project was not just about building a miniature; it was about capturing the essence of a tragic tale and breathing life into an artistic homage, creating a visual symphony that resonated with the very themes of isolation and madness that define Usher’s story.

WALLS, WINDOWS & CURTAINS

Even the simplest set piece has to be considered carefully. The interior of the dollhouse was deceptively simple: Flat walls to create long corridors. But even seemingly simple things have their challenges. These were a unique opportunity to make a macabre setting stand out with this Victorian era interior.

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LIVING ROOM + FURNITURE

In the heart of the Victorian dollhouse, the living room emerged as a captivating sanctuary of nostalgia, where each meticulously crafted piece of furniture told its own story. The art direction focused on infusing life into miniature armchairs and delicately carved tables, ensuring that the textures and colors resonated with a bygone era. Soft fabrics invited touch, while the play of light and shadow accentuated the intricate details, transforming the space into a stage where memories lingered. With every aspect, from the faded wallpaper to the whimsical trinkets on the mantel, we curated an atmosphere that echoed the rich emotions of Poe’s haunting narrative, allowing the living room to serve not just as a setting, but as a living entity that harmonized with the themes of melancholy and reflection woven throughout the tale.

BEDROOM

Nestled within the shadowy corners of the Victorian dollhouse, the bedroom emerges as one of the moodiest retreats, a canvas of muted tones and haunting elegance. Each sparse prop, from the worn velvet bedspread to a solitary porcelain doll perched on the dresser, carries the weight of unspoken stories, inviting whispers of the past to linger in the air. The dim lighting filters through lace curtains, casting intricate patterns on the creaking floorboards, creating an atmosphere thick with nostalgia and melancholy. Here, every detail is a reflection of solitude and longing, drawing visitors into a space where dreams intertwine with the eerie essence of Poe’s narrative, transforming the bedroom into a hauntingly beautiful sanctuary that encapsulates the soul of the tale.

DINING ROOM

In the dimly lit dining room of the Victorian dollhouse, shadows wove a tapestry of mystery around the long, elegantly set table, where every detail whispered stories of the past. Rich, moody hues enveloped the space, inviting intrigue as the flickering candlelight danced over meticulously crafted china and ornate silverware, each piece echoing the grandeur of a bygone era. Delicate lace curtains framed the foggy windows, filtering the outside world while the ambience thrummed with the weight of unspoken secrets. This was not merely a dining room; it was a portal to another time, an intimate gathering place where the echoes of laughter and the pangs of sorrow intertwined, capturing the essence of Poe’s haunting narrative and beckoning visitors to partake in the elegance and melancholy of the house.

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MAUSOLEUM

The mausoleum was a captivating achievement in set dressing, embodying the essence of abstraction through its flat walls and moody paint that seemed to absorb light rather than reflect it. We embraced the somber tones and textures, crafting a space that felt like a melancholic dreamscape, whispering tales of loss and remembrance. Each detail, from the stark angles to the shadowy corners, was curated to evoke a sense of solitude, inviting viewers into a world suspended between reality and the ethereal. This unique environment served not just as a backdrop but as a powerful character itself, enhancing the emotional weight of the narrative while echoing the timeless themes of decay and nostalgia that permeate the haunting story.

MUSIC BOX

Constructing and rigging the oversized music box was a meticulous endeavor that demanded both precision and creativity to mirror the enchanting details of its smaller counterpart. Each intricate element was carefully crafted, ensuring that the delicate aesthetics resonated with the original design while accommodating the technical requirements necessary for the performance. Integrated rigging and dynamic lighting were essential to facilitate a captivating dance for the twelve-inch tall puppets that would enchant the audience within this mechanical wonder. As the puppets twirled in the heart of the music box, the interplay of light and shadow created an atmosphere rich with whimsy, transforming a simple mechanism into a stage that echoed with melodies of nostalgia and artistry.

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The Oversized Music Box before paint.

This project proved to be a challenge in the most fun way possible. Bringing a Victorian manor to life in service of Edgar Allen Poe’s famous work was a dream come true. We had a great time getting into the macabre headspace.

BEHIND THE SCENES GALLERY

TRAILER