Olipop Holiday Commercials

Olipop Holiday Commercials

Olipop Holiday Commercials

Art Dept Manager | Model-Maker

Screen Novelties

2024

Project Synopsis

In a frosty wonderland where joy and laughter swirl through the air like snowflakes, Oli and Pop, our lovable yeti duo, embark on a heartwarming mission to share the magic of Olipop’s holiday flavors with the townsfolk.

This enchanting tale transports viewers to a charming Scandinavian-inspired village, where the vibrant colors and whimsical designs of our meticulously crafted sets and puppets come to life, creating a festive atmosphere that beckons everyone to join in the celebration.

As the yetis navigate through their snowy landscape, spreading cheer with every bubbly sip, audiences will be captivated by the artistry and creativity that brings this delightful story to the forefront, reminding us all of the warmth and connection that the holiday season inspires.

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Mock-Ups
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Set Build
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Set Dressing
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Product Shots
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Final Shots
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Behind the Scenes Gallery
Commercial

Spongebob & Sandy’s Country Christmas

Spongebob & Sandy’s Country Christmas

Spongebob & Sandy’s Country Christmas

Art Dept Manager

Screen Novelties

2024

Project Synopsis

In this enchanting Spongebob Squarepants Christmas holiday special, we dive into the whimsical world of Sandy the Squirrel, brought to life through the magical lens of stop motion animation reminiscent of the beloved Rankin/Bass style.

As the Art Department Manager, I had the privilege of overseeing the intricate design and creation of elaborate sets and props that shaped this festive underwater adventure. Collaborating with the talented team at Screen Novelties, we crafted scenes filled with charm and nostalgia, capturing the holiday cheer in Bikini Bottom.

Each movement of Sandy and her friends was paired with a vivid backdrop, where every detail—from twinkling lights to playful decorations—was carefully curated to ensure the spirit of Christmas resonated in every frame.

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Set Build
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Sandy’s family pose for a photo op in the the Jalopy Sleigh, one of our most ambitious builds.

Sandy’s Dome

Sandy’s Dome is a captivating miniature set that brings the underwater world of Sandy the squirrel to life, showcasing a vibrant dome nestled around a majestic tree. This enchanting environment was meticulously crafted, drawing inspiration from the original sketches for Spongebob Squarepants, and transformed into a tangible experience using large sheets of plexiglass and a blend of innovative techniques. Each detail adds to the charm, from Sandy’s expertly designed lab equipment to the lush green boucle fabric that mimics grass, and the whimsical airlock door that Sandy uses to enter her home. Delicately dyed sponges serve as tree leaves, further enhancing the whimsy of the scene, and together, these elements create a delightful homage to Sandy’s underwater adventures, embodying creativity and craftsmanship in every inch.

Int. Krusty Krab

As we journeyed to recreate the beloved Krusty Krab, builders Hilary and Charles poured their hearts into every detail, ensuring this beloved restaurant felt authentic and vibrant. From the meticulously crafted oversized wooden planks that echo the charm of the show to the expertly woven nautical ropes that add a touch of the sea, every element was designed to transport visitors into the animated world. The colors were chosen to reflect the whimsy of Bikini Bottom, capturing the nostalgia and magic that fans adore. The added Christmas decor added holiday cheer to the iconic cartoon eatery. With this stunning set, we invite you to experience the collective joy that the Krusty Krab brings, right here in our vibrant reality.

Circus

When Sandy’s family rolls into Bikini Bottom, her dome transforms into a dazzling circus wonderland, filled with laughter and awe-inspiring feats that leave the townsfolk breathless. Our team embraced this enchanting vision by constructing a vibrant spectacle, showcasing a thrilling motorcycle ramp designed by the talented John Joyce, where daring stunts take center stage. The expertly crafted cannon, modified Evel Knievel motorcycle, and a fiery wreath add a touch of spectacle and danger, capturing the magic of circus life in every corner of Sandy’s dome. As the performances unfold, the air buzzes with excitement, making it clear that this circus isn’t just a show; it’s a celebration of creativity, craftsmanship, and the sense of wonder that only a family of performers can bring to the underwater world.

Diorama Stump

At the heart of our captivating set lies a meticulously crafted replica of a tree stump, enlarged to its grand proportions to create an immersive experience. This enchanting diorama showcases a whimsical old western town populated by pioneer squirrels, each represented by the exquisite whittled carvings of the talented Joe Schmidt. As the builder of this set, I not only planned and carved the intricate details but also enjoyed the thrill of puppeteering the elements during the final shot, bringing to life the stories of these charming forest inhabitants.

Trees

Ellen Coons and Meghan Graham were our tree team, passionately transforming the heart of our production into a vibrant forest scene where imagination takes root. Their expertise shone through as they meticulously crafted Sandy’s tree inside the dome, employing a unique technique that transformed sea sponges into lush, green leaves, while the bark was artfully sculpted from rolled craft paper and wood glue, blending innovation with artistry. Painter Kathryn Evans joined the creative ensemble, her brush bringing color and life to the trees and backdrops, adding depth to the enchanting world we designed. Together, they wove a tapestry of creativity that not only showcased their skills but also invited viewers to step into a whimsical wilderness where every detail tells a story.

Patrick’s Bedroom

The creation of Patrick’s bedroom was a delightful, if somewhat harrowing challenge. Carved meticulously from EPS foam and enveloped in a tactile layer of sand, the final set resembles a charming sandy haven. I took on the exciting challenge of sculpting the bed, while guiding the team through the intricate process of seamlessly covering the set with real sand. Working against the clock as the glue dried faster than we could apply the material added an exhilarating twist to our efforts. Crafting the sand mounds and ensuring the edges blended beautifully was not just a task, but a fun adventure that allowed our creativity to flourish and truly bring Patrick’s space to life.

Jalopy Sleigh

From a charming sketch by our story artist Cosmo Segurson, to a masterfully crafted vehicle brought to life by master builder John Joyce, the Jalopy Sleigh was one of our most exciting builds. After breaking Santa’s Sleigh, Sandy’s squirrel family must rebuild it to save Christmas. The result is a hilarious homage to the Beverly Hillbillies, as the famil putters around Bikini Bottom delivering presents in a cute musical number. The challenge lay not only in the intricate design that required accommodating eight animated puppets but also in crafting a light yet sturdy structure suitable for our motorized rig. I took on the challenge of recreating a half-finished version of the jalopy for the montage sequence when it gets built.

Set Dressing
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The exterior of the Krusty Krab, an iconic set dressed to perfection.

Ext. Bikini Bottom

Each episode of Spongebob Squarepants opens on the well-known town of Bikini Bottom. And in our episode, the holiday spirit glimmers in the intricately crafted decorations adorning the iconic sets. With the keen eye of Production Designer Aron Bothman, we transformed the familiar landscape into a winter wonderland, infusing it with layers of vibrant coral and charming mini buildings, all meticulously designed and 3D-printed to capture the essence of this beloved underwater town. The adventure of layering softly glistening snow on the ground brought an exciting challenge, revealing a breathtaking backdrop that sets the stage for the whimsical tale of Spongebob, Sandy and their friends.

Ext. Krusty Krab

The Beach Hangout is a special part of the island, and an important set for the show. The Shapes share hot chocolate there, watch sunsets and sunrises there, picnic and cavort there. The challenge with this was to make it iconic, by keeping it very simple, but just decorated enough to breath life into the relaxing beach setting.

The lightly undulating sand is coated with a salmon pink and then coated with a brilliant white coat of sand, giving the beach a shimmering quality. Combine that with a few well-placed, elegant palm trees and some massive rocks to break up the background composition, and you’ve got the makings of an iconic setting where anything can happen.

Krusty Krab Musical

Inside the Krusty Krab, the atmosphere turns electric as Sandy’s family takes center stage, delivering a toe-tapping country musical number that brings a taste of Texas to Bikini Bottom. To elevate the theatricality of this vibrant production, our talented team transformed the set with colorful painted flats and a delightful array of country props, inspired by the charm of classic 70’s variety shows like Hee Haw. Set Dresser Alex Steele meticulously crafted an inviting scene that not only paid homage to the spirit of country music but also infused the beloved eatery with a festive flair, ensuring that every note sung resonated with joy and nostalgia.

Tree Fall

In this whimsical episode, Santa’s jolly ride took an unexpected nosedive as his sleigh crashed into a towering Christmas tree, and we embraced the challenge of bringing this playful chaos to life. Crafting a set with a dynamic rolling backdrop, we designed a series of tree bark elements using innovative inside-out cardboard techniques that created the illusion of Santa’s thrilling fall. Our meticulous construction featured four distinct tree pieces mounted on sliders, allowing for a captivating up-and-down motion that enhanced the visual storytelling. I personally took charge of building the rolling backdrop, integrating rotating poles that simulated action lines, making it appear as if the world was rushing by as Santa tumbled. Costumer and Seamstress Carol Binion helped me by sewing the backdrop together in a loop.  To top it off, I adorned the tree branch with bits of broken sleigh debris, transforming the scene into a delightful spectacle of holiday mischief that truly captures the magic of the season.

Minis
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Co-Director Mark Caballero and Animation Director Alfonso Estrada manipulate the mini tree to get a tricky forced-perspective shot.

Mini Props

The mini props crafted by Edlyn Capulong became a delightful addition to our project, showcasing how something so small can make a big impact. Each tiny creation was designed not just for charm but also for detail, ensuring they looked stunning up close on camera. These whimsical pieces enhanced our already miniature world, adding layers of creativity and playfulness that made every scene feel even more enchanting.

Mini Dome

To truly capture the essence of Sandy’s world in a wide shot, we embraced the challenge of scaling down the grandiosity of our set into a miniature masterpiece. Collaborating on the design of a 9-inch half-sphere, we crafted a versatile dome that could glide on and off stage, secured by magnets for effortless transitions. Inside, we carefully curated an array of intricate props, each one meticulously placed to enhance the visual storytelling. This blend of creativity and engineering not only elevated the production but also allowed us to breathe life into our puppet character against a backdrop that felt both expansive and intimate, showcasing the limitless possibilities of imagination in our craft.

Atoll Island

As the curtains rise on our vibrant atoll island, we set the stage for whimsical antics, introducing a delightful marionette puppet to capture hearts and ignite laughter. This playful mini build infused the show with a splash of nautical charm, conjuring a lighthearted atmosphere that invites audiences to lose themselves in imagination. With its intricate strings and endearing quirks, the puppet not only enhances the storytelling but also embodies our spirit of creativity and fun.

Managing the ARt Department
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Art Dept Manager Evan Koehne, Production Designer Aron Bothman, and Production Manager Casey Folen share a moment in the Shop.

Running the SHop & Supervising Builds

I have created an interesting niche for myself in the Stop Motion Animation industry. As a builder, I’ve gained a lot of hands-on knowledge about how to make set and props. But I also know how to direct people and run a shop, and I’m pretty good with schedules. So I find myself spending half my time thinking about the overall picture, scheduling to make sure deadlines get met and my builders have the right supplies they need, while also supervising some of the trickier builds that I can help with, and occasionally getting to gets my hands dirty and actually make something.

It’s a fun, delicate balance, but its all worth it when you see your hard work pay off in the amazing finished product that we all created together.

Behind the Scenes Gallery
Preview
Watch on Paramount+!

Alien Xmas

Alien Xmas

Alien Xmas

Art Coordinator | Visual Development Artist

Chiodo Bros. Productions

2019

Project Synopsis

“Alien Xmas” is the story of an alien named X who wants nothing more than to prove himself to his kleptomaniac peers. But when he gets in over his head trying to steal all of Santa’s toys, he inadvertently learns the true meaning of Christmas.
Because of my robust knowledge of the material needs of a Stop Motion project, I was brought on board this project to serve as the Art Dept Coordinator. Then I was able to put my illustration skills to work. I designed sets, models and props for the project, combining the alien science-fiction aesthetic with the warm elements of Christmas.
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Visual Development

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Final dressed set

KLEPT PLANET

As one of my first major environment design assignments, I got to spend a lot of time tweaking and perfecting what the Klept Homeworld would look like for the opening prologue of the film. We wanted it to feel barren and sad, a place where all good things had been destroyed by the Klepts’ greed. I loved the way the rest of our team translated my designs into the final set.

HERALD HORNS

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Horn props used in the opening scene

This horn is intended to herald in the coming of Z, the evil alien leader. We wanted to incorporate sharp pointy teeth into the design, which fit in nicely with the comically oversized scale. I was particularly proud of this design, especially since model-maker Josh Spooner did an incredible job translating my design almost exactly.

SPIDER CHAIR

The leader of the Klepts, an alien matriarch named Z, has some really awesome props associated with her. I designed her Spider Chair, which was fun to imagine. I also designed her staff, which had a very “Dark Crystal” feel to it.

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Design for the Spider Chair

SHIP CONTROLS

We wanted to add a bit of whimsy, and imagined the flight controls on the alien spaceships to have flight sticks that imitated video game conrollers. The final version ended up close to traditional flight controls, but the explorations into game controls proved useful.

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My final prop design for the Herald Horn

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Horn props used in the opening scene

SANTA’S BAG

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SANTA’S WALKIE

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The final prop, fabricated by the incomparable Greg Pinsoneault

CHRISTMAS WEAPONS

The Christmas weapons were fun to design, trying to conceptualize how wrapping paper would come out of a gun. My experience fabricating helped me think through these weapons and how they would be put together.

SANTA’S TOY FACTORY

In the world of Alien Xmas, toys are not so much hand-crafted as they are manufactured in a fun toy factory. The conveyor belts and various building mechanisms were great to imagine, and I was excited to see it coming together once it started being built.

LANDING SHIP

Z’s Pod went through many variations. It needed to be scary, but not too scary. Finding the right middle ground with the shape language proved to be a stimulating challenge.

SPACESHIPS

Even though this design wasn’t used for the final build, I had a great time conceptualizing all the pieces that needed to come together.

For one thing, we wanted the sihouette to look like a Christmas Tree. Building off of that, we wanted the Fighter Pods (which were designed to look like Christmas ornaments) to be able to dock in a way to look like they were hanging off of the ship’s “branches.”

The final ship was given life by our great model-maker Franco. Every artist gets to contribute something on a production like this.

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CITYSCAPES

For the final scenes of the film, the Klepts travel the earth to spread Christmas cheer. We needed to conceptualize single images of major cities that could read as iconic very quickly. These would get turned into sets that exagerated the famous aspects of those cities. Working quickly, I used a lot of photo-manipulation to get the concepts where we wanted them. I’m still proud of the final results.

Picking the landmarks was a fun challenge. Luckily, we were told we did not need to be scale-accurate, so we figured we could really have a bit of fun.

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Art Coordination

As the Art Coordinator, I was responsible for running the shop while our Art Director, Jeff White, was away. This happened frequently once we began shooting, as our production stages were in another building 10 minutes away.

This gave me a sense of leadership in my role which I happily took upon myself. Among my other daily responsibilities included managin assignments to the model makers and set builders, doling out jobs and runs to our production assistants, and keeping the supplies ordered for the shop to run smoothly. I got to act as the art departments eyes and ears for upcoming builds, attempting to keep us one step ahead of a constantly evolving project.

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Elf: Buddy’s Musical Christmas

Elf: Buddy’s Musical Christmas

Elf: Buddy’s Musical Christmas

Art P.A. | Jr. Builder

Screen Novelties | NBC

2014

Project Synopsis

In 2014, I had the incredible opportunity to work on “Elf: Buddy’s Musical Christmas,” a whimsical stop motion animated holiday special that reimagined the beloved Will Ferrell classic with a fresh musical twist. This project was more than just a job; it was my first look behind the curtain of creating movie magic.

As we brought the film to life through intricate puppets and vibrant sets, I marveled at how each frame was painstakingly created. My small role in shaping this animated world ignited my passion for storytelling and collaboration within the animation industry. Working alongside talented artists and craftspeople, I experienced firsthand the sheer joy of crafting animation by hand.

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Watch Elf: Buddy’s Musical Christmas” on Peacock!